Writing Where Your Hand Has Been and Other Poems
Poulami Somanya Ganguly
Materials / Methods
Some days the water refuses
to wash my hands. Blood samples
were drawn from the abdominal
aorta for determination of plasma
calcium. The cauliflowers were so
white we almost ate one raw.
Parathyroid extract was administered.
Parathyroidectomy was performed
under ether anaesthesia. And still
no letters. Flat portions of the
parietal bones were cleaned with gauze.
I practise speaking with everyone
even the mice. Pooled slices were dried
on filter paper and weighed. Lake’s frozen.
Bone slices were incubated. The flasks
were chilled. I am due next Thursday.
Flasks were shaken for one hour to
permit complete absorption. No longer
myself. The buffer in the flask was
transferred into a 15 ml centrifuge.
Mornings alone. Bone slices were
rinsed repeatedly with cold water.
My hands never free. The acid-
soluble portion of bone was analysed.
I can hardly hear. Slight quenching
was routinely corrected. breathing.
Writing Where Your Hand Has Been
For a while I can do no more
than run my hands over your letters, feel
each stroke: how the paper remembers
the pressure of your hand, how it folds
at old lines. Obedient leaf
where I am afraid to leave new marks,
but at the slightest touch the surface
cracks, your words turn brittle.
I learn to anticipate
changes in temperature, humidity, even
light— it’s not unlike tending to
a body. Every day I come into this
room, draw the blinds,
block out the sky’s blank page.
*
Two nights before the full moon you cannot remember your name you search
for it among the dimmed-down stars you look for it inside the newspaper-lined
drawers among your pills wondering why you did not write it down next to the
dosage we are of little use we come to you our mouths full of mother mother
grandmother the hands helping you out of your nightie tinkle with glass
bangles you refuse to eat what use is food to one who can no longer remember
how to pick the correct option from a plate full of identical grains of rice the
dal just washes the inside of your mouth clean like soap somewhere between two
and three am you fall once again into the softness of a lap the sound of
younger voices laughing among trees and you recognise your grandmother
by her voice she calls to you calling you a word you haven’t heard in years
At the Slightest Touch
The first time I recognised writing– one iron beam, bent, leaning against another– I was on my father’s shoulders. So much I’d like to tell you that everything’s getting mixed up. Once upon a time, this letter. তুমি খুব ক্লান্ত ছিলে ব'লে কিছু বললাম না। Your words in my writing. এখানে এখন দশটা বাজতে ৭ মিনিট বাকী। Time is blue and infinite laid out like this. Someone might have picked it up. Like the regular heartbeat of keys. I wrote to you on the twentieth but have you not received it. তোমার কাছ থেকে চিঠি না পাওয়া পর্যন্ত মন খুবই খারাপ। Something must have happened. Should I worry about temperature, direct sunlight, uncontrolled humidity. How much scrutiny can intimacy survive. বটগাছ যতক্ষণ থাকে তার তলায় পথিক ছায়া পাবেই, বটগাছ নেই শুধু আমার। This self-indulgence that is often misunderstood or misnamed. Love. তারপর লিখেছো আমি এখন স্বাধীন– When all my life has been spent waiting for the day when you fly away.
About the author
Poulami Somanya Ganguly is a writer and scientist based in London. Her poetry has appeared in Ink, Sweat and Tears, Consilience and Visual Verse. She graduated from Royal Holloway's Creative Writing MA in 2025.