Extract from Astonished by Light

Estelle Banks



Harvest moon


The autumn evening – sultry and red 

settles on us like a song,


Beijing and the noise 

of the filling night market - there beside the window,


in the hotel room we drink up every spirit – 

bed sheets ruched in the ruddy, slow


movement of her

now over me – pressing like the tongue of a bell.


Time like water seems 

to take the path of least resistance, 


I think to go find where everything 

has poured itself away, tonight, people out there who celebrate 


under the now-risen gold  coin of the moon, her hands 

over my breasts and the changed 


light of the room – I could love her forever. 

Our last night in a city I have only ever half known,


everything turning to memory, 

a sphere as a shadow and nothing to show 


for us, save the moment where sound becomes song 

and a room torn to a present of sweat and effort


the boundary burst to the blind, star-white night – 

resounding, we were here.

Diagram


Waiting –

nothing now in the room beside

the dark I trace

sleet still falling

and there below

that moonless Danube takes through the city – holds ever more

to the lip of all-splitting,


and I could make out the shape of everything,

lines and hollow beds

take the message from my still dark of

the very end of bodies –


but there are people waking now –

running starblind to the flood

in the blur of blue gold – drinking up.


When she arrives – she is

full skin and ever new in the snowlight

beautiful,

her red mouth full,

here too is the river.

Floridian resurrection 


we’re in separate beds again in the motel room,

just what ‘real people’ do – 

I suppose these days I am anything but, 


just an overgrown haze in the shape of yes

frustrations manifold and quake

through the stifling dusk – 


and I think to go now, 

down to the bayou by the highway

that thrums dark with after-storm,


to find those drab fronds 

that unfurl themselves

dripping 

thunder light, 


these are the rains that disinter,

make real and anew, could 

make me anything but this – 


and by the window, she laughs at my hair 

that stands on end – pulled at 

by the rumbling storm and stars 

to the highway – to go,  

to run –

To you (10,000 lightyears from here)


A new moon in the great plains, 

no one in the house, New Mexico, 


just the night, insistent upon the panes.  I’m lonely here 


and watch the clock’s arm  spin 

undisturbed,

just the house  and the ticking  earth below horizoning – 


when I open the backdoor 

I see the sky now frenzied with cataract suns  and 

I am astonished 


by light, waiting in the doorway

to greet anything. 


They’re crazed in Roswell 

talks of spirals and signs of life and who am I to deny you then


the room becomes an open door 

and I suppose myself

up there,  hurtling full pelt 

between  far  constellations, wait.


For you, whenever, 

would I be  as a wild bird 

flung into the stillness of a room, jutting like a lumpish star 

alive –  is it strange – alive – 

tonight in love


and here I am

earnest as still water 


the sky there above

domain of things yet 

to understand – the slow-moving 


Mars and Jupiter stare naked out 

like blank faces

ready to jump at us in the dark.


If I could 

I would take it all away,

devein that milky-way thread and leave us

to the mountains ultraviolet and taste of wine and touch 


a willow somewhere swaying 

shaken off its stars, 

and the bodies –  

no talk of all we might miss


just this, between us, 

constellate – 

 

About the author

Estelle Banks (née Allen) is a graduate of Creative Writing at Royal Holloway, where she is currently poet in residence of the Physics Department. She is also working on a collection responding to NASA’s Golden Record, to mark its fiftieth anniversary in 2027. Estelle’s work has been published in Nine Arches Press’ ‘Under the Radar’ (34), UCL’s ‘Phi Magazine’, and ‘The Young Writers’ Anthology’ (2018).